The Tunic Dress and Top

An idea for a design can sometimes come from a fabric I’ve found, in this case it was this inky fluid fabric with a chalk white abstract design, from Ditto Fabrics.

I wanted a really simple tunic shape but once I started working on the toile it developed from there. The fabric has the handle and drape of a heavy silk crepe de chine, although it is synthetic, and its fluidity inspired the twisted neck and cuff idea.

However creating the initial twist in the cotton of the toile was tricky, even with its loose flexible weave, I would need to increase the depth.  It also made me realise that if this style were to become a pattern, an alternative neckline for different fabrics would be required.

Eventually I came up with two alternatives offering three very different looks.

The twisted neckline, Option A in the pattern, suits more fluid fabrics. Above it is left softly draped.

In this silk it has been pressed to accentuate the twist.

Option B is a narrow tie cut on the cross. This stands away from the neck and has a flattering vintage feel once tied.

And Option C is cut as a curve and shapes the neck giving a scarf effect when tied.

This sheer fabric inspired taking the initial tunic to a longer length. 

And adding side slits for freedom of movement. The corners are mitred for neatness.

And this almost seersucker type check leant itself to being worn as a dress, so optional pockets are included.

The final pattern has three choices for the neck and three lengths: a top, tunic and longer tunic. 

Of course the length can be varied to suit your style, but the side slits are required if that length goes much below the knee, to enable freedom of movement.